Cairns of Clava in Scotland | The Past Speaks

Updated on January 3, 2024 by Meg Pier

Glimpsed through the midst of a March day, the cairns of Clava seemed to me the embodiment of mystery, a shrine to all things occult. Entering the grassy knoll next to the river Nairn where these three Bronze Age cairns stand, the scene before me was awash in shades of grey. The low circular mounds and surrounding upright slabs were constructed in stone the color of ash. Enclosing the expanse were stands of barren trees with silvery bark, their silhouettes swaying against a steely sky.

Cairns of Clava
Photo: Michael Livsey, via Flickr

What is a cairn? The word originates from the Scottish Gaelic: càrn. Cairns are a mound of rough stones built as a memorial or landmark, typically on a hilltop or skyline. These man-made structures have been and are used for a broad variety of purposes, from prehistoric times to the present. The cairns of Clava are located 6.7 miles to the east of Inverness, about a 15-minute drive. The site is free to visit and is open year-round.

Little is known or understood about the cairns of Clava Cairns complex of prehistoric architecture. I visited Clava Cairns with guide Johanna and her husband Gilbert, a writer. He was pointed about the vagaries of these structures that were erected 4,000 years ago.

“We may speculate as to function of these impressive monuments but ultimately, surely they are unknowably ancient?” he asked. “We assume they are memorials to the dead that probably required a society or community capable of working cooperatively. That’s about all that’s certain. Ritual functions? Sacrifices? Communing with ancestors? Praise in stone for successful war leaders or farmers or priests? Visit and speculate...feel free...the people here have no names.”

Pondering the purpose of cairns of Clava is something Dougie Scott has done for more than thirty years. A silversmith who lives in Tain, Easter-Ross, his Celtic jewelry has been inspired by the Book of Kells and the ancient cross slabs created by the Iron Age Pictish people, which are common throughout the northeast of Scotland. In the early 1980s, he became passionate about prehistoric astronomy and rock art. Since then he has been surveying the standing stone alignments and cairns, photographing them in relation to the sun and moon as the planets rise and set.


Views of some of the mysterious standing stones of Cairns
Views of some of the mysterious standing stones of Clava Cairns cemetery complex. Photo: Meg Pier

Prehistoric Stone Alignments, Communicate with the Gods

Dougie explained that there are two types of alignment indicated by the stones. The first is a pattern of solar alignments at 45-day intervals known in British and Irish tradition as quarter days, which fall close to the two solstices and two equinoxes. These quarter days have been observed for centuries; each year on these dates servants were hired, and rents were due. The other alignment pattern occurs on four Pagan festivals roughly three months apart: Candlemas (February), Beltane (May), Lammas (August) and Samhain (November).

“If the sun and moon were believed to be gods, perhaps the cremations were only carried out when they rose and set in line with certain standing stones,” he said. “Perhaps after the cremations, the burnt bone would then have been deposited in the chambered cairns to await the coming of the sun or moonlight into the cairns." Did the winter sunlight or the full moon shining into the cairn mark the final sequence in the burial rites with the remains of the dead being cleared out to make ready for the next burial, leaving only residual amounts of bone and charcoal?

This use of ring cairns for cremations throughout the country could be the origin of the tradition of bonfires being lit at the regular divisions of the year up to the present day. “It’s thought from the quantities of quartz found during excavations, laid on the upper surface of the cairns, that its use made them a dazzling white in the sun or moonlight,” Dougie said. “Access into the cairn’s central chambers by the southwest entrance would have meant crawling awkwardly on hands and knees down the sloping passage roofed with flat slabs.”

North East Passage Grave at a Cairn in Scotland
North East Passage Grave at Clava Cairns in Scotland. Photo: Jan Holm, via Shutterstock

Winter at Cairns of Clava

Dougie said that evidence suggests that the passage and ring cairns had been used for burials and cremations respectively and that while the structures are aligned to the sun and moon, it is likely that the cairns had been used for a religious purpose, rather than an astronomical one.

“Recent experiments in covering the northeast passage cairn at midwinter have produced stunning effects, with the whole back wall of the chamber shimmering with red light,” he said. “While there is no surviving folklore about the cairns at Clava, was the entry of the sun into these wombs like cairns believed to be a magical phallus of a sun god impregnating a female earth deity, or was this the time when the spirits of the dead were reborn back into the world?”

Clava, Scotland
Photo: nairnbairn, via Flickr

Cairns of Clava Full of Folklore, Archaeology and History

“The cairns could have also been used for a number of other functions from interaction with the gods or ancestors, meditation and initiation rites to perhaps the actual act of giving birth,” he continued. “It is likely that the cairns were used as a religious focus for the living and as folklore and archaeology suggests as spirit houses for the dead. While we can only speculate what happened as the light of the sun and moon penetrated into the darkness the cairns, it seems they have only begun to give up their secrets.”

If you are interested in visiting the Cairns of Clava, it's a 15-minute drive from Inverness. Our guide to the cultural attractions of the Scottish Highlands can give you ideas of what else to see while you are in the vicinity!

More Stories on Scottish People

Interested in Archaeology? Check out our other interviews with expert archaeologists!

Meg Pier

Meg Pier

Publisher and editor of People Are Culture (PAC). This article was created by original reporting that sourced expert commentary from local cultural standard-bearers. Those quoted provide cultural and historical context that is unique to their role in the community and to this article.


Donald Smith, Director, Scottish Storytelling Centre

Painted Beehives, a Slovenian Tradition That Tells of Cultural Landscape


Leave a Comment

error: Content is protected !!